mikroshow

 

 

We are pleased to invite you to the lauching party of the artistic periodical Dorade's first issue.

The event will take place on Friday the 6th of November from 6.30 pm on at Lucy Mackintosh's gallery in Lausanne, Switzerland.

You will be able to find out about the thing, buy it even, have a drink if you like, or listen to surprising melodies selected by Florence Tétier.
And then, afterwards, leaf through and read all winter long.

This first issue of 148 pages deals with the beginnings.

Zigzagging, critical, poetic and luxurious, Dorade is to be seen as a curatorial space where photographs and paintings, theoretic and allegorical texts, as well as Ladies and Gentlemen interviews are revealed.

Dorade, an independent and bilingual magazine (French-English), based in Paris and Lausanne, published and coordinated by Philippe Jarrigeon and Sylvain Menétrey, sold in Germany, United States of America, France, United Kingdom and Switzerland.

Parisian friends! Do not despair, Dorade the first is expecting you on the 13th of November, just down your street! (we shall let you know shortly).

See you there.

www.dorademagazine.com
www.lucymackintosh.ch

 

Interview par Natsumi Suzuki.
www.plus81.com
..

 

 

En avril, Philippe Jarrigeon réalise les couvertures des magazines Drome et Amusement.
De nouvelles séries vous attendent à l'intérieur.

www.dromemagazine.com
www.amusement.fr

 

welcome!

 

Philippe Jarrigeon participera aux rencontres photographiques internationales du Fotomuseum - Winterthur.

www.fotomuseum.ch

Le Vent des Globes
Lambdat sous verre, 85x66cm - 2008
Mélodie Mousset
Photographie de Philippe Jarrigeon

Mélodie Mousset et Philippe Jarrigeon collaborent et vous souhaitent une année explosive!
Pour information, Mélodie Mousset vernit son exposition Party Animal à la Galerie Marion Meyer le 6 janvier de 19h à 21h. Cette image sera au rendez vous et on espère vous voir nombreux.

Party Animal
07.01.09 - 14.02.09
15 rue Guénégaud
75006 Paris

www.melodiemousset.net
www.galeriemarionmeyer.com
 

Pour célébrer cette fin d'année, Gladys que vous avez déjà pu rencontrer au Spectrarium, en novembre, au Pavillon suisse de la Cité Universitaire vous donne rendez vous au 6ème et dernier étage du Centre Pompidou.

Gladys (video - 11' loop - 2007)
Projection at Centre Georges Pompidou, Paris.
 january 2009.

Léa Fluck, who is in charge of Georges' video programming, wrote for the occasion:

"Gladys is a big single eye and excessively painted with pink and emerald green, on which sparkle glitter and false eyelashes.This" cosmetic panoptic "(Samuel Dubosson) scares and seduces.
While she has no body or is reduced to a blind gaze, the title-first name, Gladys, makes the piece able to pose as a subject. The medieval etymology, which means the mistress of the place, reinforces the idea of ​​virtual surveillance in the manner of Kubrik's brain-computer, HAL 9000.
The spectators, admirers and prisoners, are the toys of this worried look then fixed.
At Georges, Gladys becomes double and loses his status of monstrous Cyclops.
Indeed, as the artist says: "Two eyes (almost a face) are not too much to watch the Parisians still hazy in the first days of January ..."
The image conjures up different horizons: the surrealist passion of a Man Ray, the feminine universe of the casserole, sophisticated totalitarianism or the thousand-year-old superstition, everything embraces at the mercy of the dilettante movements of the iris-creature. Big Sister is watching you. "

Happy New Year to all!

Posted by Regards philippe

1Léa Fluck qui s'occupe de la programmation vidéo du Georges a écrit pour l'occasion ces quelques mots:

Gladys est un gros œil unique et excessivement fardé de rose et vert émeraude, sur lequel scintillent paillettes et faux cils. Ce « panoptique cosmétique » (Samuel Dubosson) effraie et séduit.
Alors qu'elle n'a pas de corps ou qu'il se réduit à un regard aveugle, le 1titre-prénom, Gladys, rend la pièce capable de se poser comme sujet. L'étymologie médiévale qui signifie maîtresse des lieux, renforce l'idée d'une surveillance virtuelle à la façon du cerveau-ordinateur de Kubrik, HAL 9000.
Les spectateurs, admirateurs et prisonniers, sont les jouets de ce regard inquiet puis fixe.
Au Georges, Gladys devient double et perd son statut de cyclope monstrueux.
En effet, comme le dit l'artiste : « Deux yeux (presque un visage) ne sont pas de trop pour surveiller les Parisiens encore vaporeux aux premiers jours de janvier…»
L'image convoque différents horizons : la passion surréaliste d'un Man Ray, l'univers féminin de la cocotte, le totalitarisme sophistiqué ou la superstition millénaire, tout s'embrasse au gré des mouvements dilettantes de l'iris-créature. Big Sister is watching you."

Bonne fin d'année à tous!

Publié par Cordialement philippe
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More Background on MikroShow.com

MikroShow.com was a distinctive digital archive and creative platform that played a significant role in the world of independent internet periodicals and artistic publishing from the mid-2000s to the early 2010s. Closely associated with the French photographer and publisher Philippe Jarrigeon and the avant-garde magazine Dorade, MikroShow.com exemplified how digital spaces can foster innovation, community, and cultural dialogue outside traditional media channels. This article provides an in-depth exploration of MikroShow.com, covering its history, ownership, content, audience, cultural significance, and more, to offer a thorough understanding of its place in the digital and artistic landscape.

History and Origins

Founding and Early Years

MikroShow.com was established in the mid-2000s as a digital platform for creative expression, artistic collaboration, and the announcement of new projects. Its most notable period of activity spanned from 2006 to 2010, during which it became closely linked with the launch and promotion of Dorade, an independent, bilingual (French-English) magazine based in Paris and Lausanne.

Key Figures

• Philippe Jarrigeon: Born in 1982 in France, Jarrigeon is a photographer and publisher who graduated from ECAL (École cantonale d'art de Lausanne) in 2006. He is recognized for his modern, absurdist still life photography and his role as a founder and coordinator of Dorade magazine.

• Sylvain Menétrey: A curator and journalist, Menétrey co-founded Dorade with Jarrigeon and Emmanuel Crivelli, contributing to its editorial direction and critical voice.

• Emmanuel Crivelli: Also a co-founder, Crivelli played a role in shaping the magazine’s unique blend of photography, criticism, and artistic exploration.

The Dorade Connection

Dorade, subtitled "revue galante, photographie et formes critiques," was inaugurated in 2009 and quickly became known for its eclectic, poetic, and sometimes absurd approach to art criticism and visual culture. The magazine was published and coordinated by Philippe Jarrigeon and Sylvain Menétrey, and was sold in Germany, the United States, France, the United Kingdom, and Switzerland. At least three issues of Dorade were published, each featuring a mix of photography, critical essays, interviews, and creative writing.

Ownership and Management

MikroShow.com was owned and managed by Philippe Jarrigeon, who used the platform to showcase his own work, announce new projects, and promote Dorade magazine. Jarrigeon’s background in photography and publishing, along with his connections in the art and fashion worlds, helped establish MikroShow.com as a hub for creative experimentation and collaboration.

Content and Features

Artistic Focus

MikroShow.com served as a digital showcase for Jarrigeon’s photography, as well as a platform for promoting Dorade magazine and other artistic projects. The site featured:

• Announcements of new magazine issues and events

• Photographic series and still lifes by Jarrigeon

• Collaborations with other artists, such as Mélodie Mousset

• Interviews and features from other publications

• Updates on exhibitions and gallery shows

Notable Projects and Collaborations

• Dorade Magazine: The primary project promoted through MikroShow.com, Dorade was known for its luxurious layouts, critical and poetic content, and playful, absurdist tone.

• Collaborations: Jarrigeon worked with a range of artists, designers, and brands, including Baccarat, Chanel, Chloe, Dior, Diptyque, Kenzo, Maison Martin Margiela, and publications such as Document, Double, Purple, M le Monde, T Magazine, and Vogue.

• Exhibitions: Jarrigeon’s work was exhibited at venues such as La Galerie des Galeries (Galeries Lafayette), Fotomuseum Winterthur, and the International Festival of Fashion and Photography in Hyeres.

Popularity and Audience

MikroShow.com attracted a niche but dedicated audience of artists, photographers, critics, and enthusiasts of independent publishing. The site’s bilingual (French-English) content and international distribution of Dorade magazine helped it reach readers in Europe and the United States. Its audience was drawn to its avant-garde sensibility, experimental approach, and willingness to challenge traditional boundaries in art and publishing.

Location and Proximity

While MikroShow.com was a digital platform, its activities were closely tied to the art scenes in Paris and Lausanne. Events and exhibitions associated with the site and Dorade magazine took place in these cities, as well as in other cultural hubs such as New York and Berlin.

Awards and Recognition

Philippe Jarrigeon and his projects received recognition in the art and fashion worlds:

• Jarrigeon was selected for the International Festival of Fashion and Photography in Hyeres (2008).

• His work was exhibited at prestigious venues such as La Galerie des Galeries and Fotomuseum Winterthur.

• Dorade magazine was praised for its innovative design and content, earning a reputation as a collector’s item among aficionados of independent publishing.

Menus, Goals, and Editorial Vision

Editorial Goals

MikroShow.com and Dorade magazine shared a commitment to:

• Showcasing innovative photography and visual art

• Blending critical theory with poetic and playful writing

• Creating a space for artistic experimentation and collaboration

• Challenging conventional notions of art criticism and magazine publishing

Content Structure

Dorade magazine, as promoted on MikroShow.com, featured:

• Thematic issues (e.g., the "Villa Issue")

• Interviews with artists and cultural figures

• Essays and critical texts

• Photographic portfolios and visual essays

• Bilingual content (French and English)

Reviews and Reception

MikroShow.com and Dorade magazine received positive attention from critics and readers for their originality, wit, and visual sophistication. The magazine was described as "brilliant and sinuous, collector of photographic discoveries and forms of criticism," and was praised for its ability to "maximize the absurd and pursue metaphors to the bitter end." Its playful, self-aware tone and commitment to artistic experimentation set it apart from more conventional art publications.

Press and Media Coverage

Jarrigeon and his projects were featured in a range of publications, including:

• Document

• Double

• Purple

• M le Monde

• T Magazine

• Vogue

Dorade magazine and MikroShow.com were also covered in interviews and features in art and photography magazines, as well as in online platforms dedicated to independent publishing and digital culture.

Audience and Cultural Significance

MikroShow.com played a significant role in the independent publishing scene of the late 2000s, serving as a model for how digital platforms could support artistic innovation and community-building. Its audience included:

• Artists and photographers seeking inspiration and collaboration

• Critics and writers interested in experimental approaches to art criticism

• Collectors and enthusiasts of independent magazines

• Students and scholars studying the history of internet periodicals and digital publishing

The site’s cultural significance lies in its ability to bridge the worlds of art, fashion, and digital media, and to create a space for voices and projects that might not have found a home in more mainstream outlets.

Details, Insights, and Examples

Example: Dorade’s Launch Events

Dorade’s first issue was launched with events at Lucy Mackintosh’s gallery in Lausanne and in Paris, featuring opportunities to purchase the magazine, enjoy music, and engage with the artistic community. These events exemplified the magazine’s commitment to blending art, social interaction, and critical dialogue.

Example: Artistic Collaborations

Jarrigeon’s collaborations with artists like Mélodie Mousset and his work for major fashion brands demonstrated the versatility and reach of the projects promoted through MikroShow.com. His photographic style, characterized by a modern take on the absurd, brought a distinctive visual identity to the site and its associated publications.

Example: Critical and Poetic Content

Dorade’s content was described as "zigzagging, critical, poetic and luxurious," with a curatorial approach that brought together photographs, paintings, theoretical texts, and interviews. The magazine’s willingness to "take the joke too far" and then "make up for it the next time around" reflected its playful, self-aware editorial vision.

Social and Cultural Impact

MikroShow.com and Dorade magazine contributed to the broader conversation about the role of digital media in art and publishing. By creating a space for independent voices and experimental projects, they helped pave the way for future generations of artists and publishers seeking to challenge the status quo and explore new forms of creative expression.

 

MikroShow.com stands as a testament to the power of digital platforms to foster artistic innovation, community, and cultural dialogue. Through its association with Philippe Jarrigeon and Dorade magazine, the site left a lasting mark on the world of independent publishing and digital art. Its legacy continues to inspire artists, critics, and readers who value creativity, experimentation, and fearless vision.

 

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